Viisukuppila

Internationalisation of the music scene in Bulgaria

This year’s selection is marked by strong international influence in the projects which is a result of the general strategy of BNT to use Eurovision as a platform to improve the local music market and to escape from the isolationism and self-sufficiency. Now the Bulgarian artists feel way more comfortable to cooperate with foreign ones. As a result now we have 3 foreign artists in the selection, one of them with past history in Eurovision. A total of 2 artists can be defined as “returnees” but only one of them is back again as a main vocal. The other one is part of a group. Five teams are a result of joint cooperation between Bulgarians and foreign composers and producers.

A side effect of the commercialization of the projects is the fact that none of the proposals is in a language different than English. For the future we will be looking for a more balanced line-up in that aspect.

The producers have caught the idea – we want a modern sound

Most of the projects are in line with BNT’s policy to prioritise entries with modern sound. There are a lot of different styles. While being commercially viable, some of the projects are trying to be more art and to escape from the pure radio-friendly doctrine. The effect of this year’s winner surely has an influence on the entries we got, although nothing comparable to Salvador Sobral’s music revolution that marked Eurovision 2017.

Is there a winning package?

The question of the questions will be resolved after a thorough examination of the projects with several focus-groups being encharged to assess what we got. The purpose of the system we will use, is not only to outline the best among the proposals but how good it is in the reality. The winner has also to reach also certain threshold in order to be automatically selected.

That way we will get a valuable information where we are in reality. According to our understanding and initial impressions, we got some projects that have a good prospect to be developed into something remarkable and interesting but it’s still too early for any conclusions until we have sufficient and solid data to support our statements.

At this stage we think that we’ve got songs to cover the established criteria and it’s unlikely to be any need of further complications of the selection process.

A New Home
Bad News
Bones
Choosing
Cold As Ice
Collide
Colours
Love Never Lies
Lovers To Enemies
Rebirth
Sky Symphony
Two Hearts Collide
You Will Be The Change

Balkan kirjoitti:

Internationalisation of the music scene in Bulgaria

This year’s selection is marked by strong international influence in the projects which is a result of the general strategy of BNT to use Eurovision as a platform to improve the local music market and to escape from the isolationism and self-sufficiency. Now the Bulgarian artists feel way more comfortable to cooperate with foreign ones. As a result now we have 3 foreign artists in the selection, one of them with past history in Eurovision. A total of 2 artists can be defined as “returnees” but only one of them is back again as a main vocal. The other one is part of a group. Five teams are a result of joint cooperation between Bulgarians and foreign composers and producers.

A side effect of the commercialization of the projects is the fact that none of the proposals is in a language different than English. For the future we will be looking for a more balanced line-up in that aspect.

The producers have caught the idea – we want a modern sound

Most of the projects are in line with BNT’s policy to prioritise entries with modern sound. There are a lot of different styles. While being commercially viable, some of the projects are trying to be more art and to escape from the pure radio-friendly doctrine. The effect of this year’s winner surely has an influence on the entries we got, although nothing comparable to Salvador Sobral’s music revolution that marked Eurovision 2017.

Is there a winning package?

The question of the questions will be resolved after a thorough examination of the projects with several focus-groups being encharged to assess what we got. The purpose of the system we will use, is not only to outline the best among the proposals but how good it is in the reality. The winner has also to reach also certain threshold in order to be automatically selected.

That way we will get a valuable information where we are in reality. According to our understanding and initial impressions, we got some projects that have a good prospect to be developed into something remarkable and interesting but it’s still too early for any conclusions until we have sufficient and solid data to support our statements.

At this stage we think that we’ve got songs to cover the established criteria and it’s unlikely to be any need of further complications of the selection process.

BNT julkaisi tiedotteen osallistumisajan sulkemisesta. Mielenkiintoisia pointteja kisan kansainvälistymisestä. Karsintaan osallistuu 3 ulkomaalaista artistia, joista yhdellä on aikaisempi euroviisuyhteys. Kukakohan tämä voisi olla? Veikkauksia! Todella mielenkiintoista.

CottonJoel kirjoitti:Jokin näistä on Bulgarian kappale:

A New Home
Bad News
Bones
Choosing
Cold As Ice
Collide
Colours
Love Never Lies
Lovers To Enemies
Rebirth
Sky Symphony
Two Hearts Collide
You Will Be The Change

Bad News ja Sky Symphony kuulostavat kiinnostavimmalta.

ESC93 kirjoitti:Yhden vastaan tulleen huhun mukaan Kristian ja Sergei Lazarev tekisivät dueton.

ESC93 kirjoitti:^ Onko kolmen parhaan joukossa yhtään tuttua nimeä?

Serduchka kirjoitti:^ Kertoiko, että kolmen parhaan joukossa? Muistaakseni mainitsi asiasta, kun biisejä oli vielä 13.

Samiasd kirjoitti:

Serduchka kirjoitti:Kertoiko, että kolmen parhaan joukossa? Muistaakseni mainitsi asiasta, kun biisejä oli vielä 13.

Joo, tuota tarkoitin, että mainitsivat kun nämä 13 nimeä julkaistiin.